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The Crayon Papers by Irving, Washington, 1783-1859



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His servants understand his humor, and avail themselves of it. He was one day disturbed by a pertinacious rattling and shaking at one of the doors, and bawled out in an angry tone to know the cause of the disturbance. "Sir," said the footman, testily, "it's this confounded French lock!" "Ah!" said the old gentleman, pacified by this hit at the nation, "I thought there was something French at the bottom of it!"

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ENGLISH AND FRENCH CHARACTER

As I am a mere looker on in Europe, and hold myself as much as possible aloof from its quarrels and prejudices, I feel something like one overlooking a game, who, without any great skill of his own, can occasionally perceive the blunders of much abler players. This neutrality of feeling enables me to enjoy the contrasts of character presented in this time of general peace, when the various peoples of Europe, who have so long been sundered by wars, are brought together and placed side by side in this great gathering-place of nations. No greater contrast, however, is exhibited than that of the French and English. The peace has deluged this gay capital with English visitors of all ranks and conditions. They throng every place of curiosity and amusement; fill the public gardens, the galleries, the cafes, saloons, theaters; always herding together, never associating with the French. The two nations are like two threads of different colors, tangled together but never blended.

In fact they present a continual antithesis, and seem to value themselves upon being unlike each other; yet each have their peculiar merits, which should entitle them to each other's esteem. The French intellect is quick and active. It flashes its way into a subject with the rapidity of lightning; seizes upon remote conclusions with a sudden bound, and its deductions are almost intuitive. The English intellect is less rapid, but more persevering; less sudden, but more sure in its deductions. The quickness and mobility of the French enable them to find enjoyment in the multiplicity of sensations. They speak and act more from immediate impressions than from reflection and meditation. They are therefore more social and communicative; more fond of society, and of places of public resort and amusement. An Englishman is more reflective in his habits. He lives in the world of his own thoughts, and seems more self-existent and self-dependent. He loves the quiet of his own apartment; even when abroad, he in a manner makes a little solitude around him by his silence and reserve; he moves about shy and solitary, and, as it were, buttoned up, body and soul.